People in the UK can see this 5-part serial on iPlayer – spoilers ahead.
Last week the BBC put on a program showing a fictitious murder trial but with real barristers, judge, court clerk and expert witnesses and with a jury who were randomly chosen members of the public. It reminded me of Marcel Berlin’s The Law Machine, which I watched ad nauseam with my students years ago.
The first episode I watched I thought not only the defendant and witnesses, but also the jury were actors. Not so! But those jurors were fixated on calling each others’ remarks sexist – the case involved a man charged with murdering his estranged but not quite estranged wife. For example, the relatively coherent older woman juror with experience of social services began to describe the way ‘an abusive man’ may appear amenable at first but gradually becomes domineering and controlling. She was immediately shouted down by two or three male jurors as ‘sexist’. Now this was boring if it was actors, but if it was ‘real’ people it made me worry about how one could speak about abuse and still be heard. However, I have now come to the conclusion that the jury’s remarks were tightly edited and we cannot decide from hearing a short exchange what they were like over several hours. Just like the Big Brother house and other reality TV products, you can’t trust it.
If one wanted to see the law in action, I would strongly recommend the way the barristers appeared. I particularly enjoyed the bit of bickering between them: it seemed authentic and matched my own memories.
It was odd that the judge’s closing speech was not given.
And then, in the last programme, at great length, the ‘true story’ was shown and we saw that the defendant really did kill his wife. I think it was a massive mistake to show what really happened. And above all, the way the jury’s individual votes were shown, showing that it was the women who voted guilty, and the details on how much domestic violence is not reported. An important issue, but we were to be manipulated.
This case should have ended in a not guilty verdict, not guilty for lack of evidence, but it resulted in a hung jury. Of course the jurors knew they were on TV, and that might have influenced their demeanour.
The whole thing has been well taken apart by The Secret Barrister: In forgetting our fundamental principles of justice, The Trial’s fascinating run fell down at the last:
Taking the above together, the only possible interpretation of the editorial line is: “This jury should have convicted. They didn’t, ergo they failed. What does this tell us about juries? (Clue: Maybe it’s sexism.)”
Which would be fine, had that been the premise of the programme. But it wasn’t. At least, not as far as we’d been led to believe. It was billed – accurately – as a groundbreaking docu-drama in which we would be given a unique insight into the way that juries operate. The opacity of the jury room means that, notwithstanding academic studies attempting to recreate its conditions, we know little about how juries approach their task. We have a fervent cultural faith in the inherent supremacy of trial by jury; let’s, Channel 4 suggested, cut open this sacred cow and have a rummage around inside.
As the Secret Barrister says, the jury trial is not about discovering the truth – but the programme behaved as though it was.
Obiter J also has a useful post on the programme, more about legal details and less about criticizing.
Great stuff, Margaret.
Yes, (tedious) sexist abuse allegations make for more animated exchanges than witnessing jurors falling asleep during a complicated and protracted criminal fraud trial that is more amenable to a Scottish-type `not proven` verdict..
Of more interest might have been seeing the jurors in this televised case using a ouija board – back at their hotel – to contact the alleged murder victim (R vs. Young (Stephen) 1994).
As for bickering between Barristers (initial caps by the way), this is really nothing compared to blazing rows between juniors and leaders at trial over the split of mega-fees.