Nuremberg 2025 – film

The first time I saw this film I did not realize how true to history it was – it is based on a minor and not wellknown episode – and also felt it was very Hollywood. I appreciated it better on a second viewing. This Smithsonian article is useful on the facts of history:

The True Story Behind ‘Nuremberg’, a WWII drama about Hermann Göring’s Cat-and-Mouse game with an American Psychiatrist

But a lot of the dialogue – which had to be invented, of course – was very heavy-handed. From Daniel Goldstraw’s review in The Independent (which is more balanced than this extract):

The film is one that is often also prone to moments that feel cliched or predictable: the Jewish army officer who states he will he smoke after the war is done and then finally pulls out a cigarette at the close of the film, or the judge who, for some reason, feels he can only hammer home his point about the evils of the Nazis by taking Kelley in the middle of the night to the site of Hiler’s rallies. These all stand out as scenes where one can practically feel the screenwriter typing away behind them.

Very small historical video clips in the trial scenes show how closely the trial was recreated – for instance, that Göring did not stand immediately when the other defendants did. I would have liked the clips to be longer but that wasn’t their purpose. I knew that the ashes of the hanged defendants were scattered along a river in Munich to prevent graves becoming sites of pilgrimage for neo-Nazis. I did not know that the hanging was done publicly – as of course it always was, there had to be witnesses, and these included two journalists for each of the four Allies.
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Hilla and Berndt Becher

This weblog is not very legal-translation-based any more – just ruminations about topics, often German, of a retired translator.

The Goethe Institut in London recently presented a film about Hilla and Berndt Becher, by Marianne Kapfer. Made in 2012 but seemingly showed last autumn in Germany. I would like to see it again but can’t find it online (yet). From the Tate:

Who are Hilla and Berndt Becher?

Hilla Becher was a German artist born in 1931 in Siegen, Germany. She was one half of a photography duo with her husband Bernd Becher. For forty years, they photographed disappearing industrial architecture around Europe and North America.

They won the Erasmus Prize in 2002 and Hasselblad Award in 2004 for their work and roles as photography professors at the art academy Kunstakademie Düsseldorf.

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