Wolf Haas, Wackelkontakt – translated by Jamie Bulloch

Wackelkontakt by Wolf Haas, 2026. A good read. Here’s the English blurb:

A clever, electrifying puzzle of a novel, inspired by MC Escher’s optical illusions, in which two mirrored plots—a man waiting for an electrician and a mafia informant entering witness protection—delightfully converge.

Franz Escher is waiting for the electrician. His power outlet has a loose connection. To pass the time, he buries himself in a book about a Mafioso-turned-informant Elio Russo. Elio is in jail, awaiting his imminent release into witness protection. He has betrayed so many people that he fears for his life. Unable to sleep, he lies awake at night reading a book about a man named Franz Escher who’s waiting for the electrician. His power outlet has a loose connection. . .

Continue reading →

Wolf Suschitzky and Libris bookshop

Talk  by Julia Winckler on Wolfgang Suschitzky – life and photography. Father founded a social-democratic bookshop in Vienna. His sister, Edith Tudor-Hart, was a photographer too. She died at the age of 64, whereas Wolf was 104 when he died. Edith was also involved in recruiting Soviet spies, including the Cambridge Spy ring, and eventually photographed less as she was constantly being followed by MI5.

Wolfgang went to London in 1934 but could not earn anything from photography till 1938, when he was given a work permit.

Continue reading →

Samuel Beckett German Diaries 1936-1937

Samuel Beckett German Diaries published by Suhrkamp, English (lots of German terms in it) with German translation. Leseprobe. Übersetzung von Gaby Hartel
Herausgegeben von Mark Nixon und Oliver Lubrich

Guardian article 

I have borrowed Nixon’s book about this project, Samuel Beckett’s German Diaries 1936-1937, 2011, but someone else wants it so I will return it. Nixon the editor, professor of English at Reading University, also compares Beckett’s approach to Germany with Isherwood’s “I am a camera”. Beckett listens

like a fool to 2 hours of Hitler & an hour of Goering (opening of Reichstag. Goering reelected President, laws controlling 4 years plan extended for another 4…the usual from A.H. with announcement of a 20 yr. plan for development of Berlin, ‘rely’ to Eden consisting mainly in repeated assertion that Germany’s policy is not one of isolation; then Goering announcing foundation of 3 years ‘cultural’ prices of 100,000 ? RM & prohibition imposed on any Germans to accept a Nobel Prize

(January 1937)

 

Michael Moritz, Ausländer

Michael Moritz grew up in Wales as the son of Jews who left Germany in the 1930s but many of whose relatives did not escape the holocaust. He was diagnosed with a genetic form of cancer whose risk is greater for male Ashkenazi Jews. This perhaps concentrated his interest in the experiences and emotional life of his parents, which he had little considered when he was growing up. The book is an investigation of his history and life as a Jew.

There is a good extract at Granta.

The threat that so rapidly materialized in 1930s Germany is reflected for Moritz in Trump’s America. What he had heard as a young boy whenever his parents sensed disturbing political trends:

If it did happen, it can happen.
If it did happen, it will happen.
If it did happen somewhere, it can happen here.
It will happen here.

He is applying for German citizenship. One reason is the increasing anti-semitism in the UK, another the access to other EU countries he enjoyed before Brexit.

Part of it reminded me of Uwe Wittstock, Februar 33. Der Winter der Literatur, which shows how the literary life of Germany in Weimar was aggressively attacked in a period of a few weeks.

New editions of Thomas Mann

When I started re-reading Der Zauberberg last year, I was disappointed that I couldn’t get an edition with bigger print.  I have a Kindle version too. But it seems that now that Mann’s works are out of copyright, new editions have appeared. There is also an expensive volume full of notes (in German), and even a posh Reclam version. My edition was by S. Fischer Verlage, and now other publishers have appeared, and there are new translations coming out. I am not fully informed of the situation but here is a superficial account.

I saw ads for them when I was reading a Perlentaucher newsletter.

Suhrkamp Verlag Literaturklassiker von Thomas Mann in hochwertiger Neugestaltung

There are new covers by Andrew Davidson.

Der Zauberberg – Der Jahrhunder-Roman prachtvoll illustriert in einer exklusiven Schmuckausgabe (Reclam)

Thomas Manns Jahrhundertroman – erstmals als Retroausgabe im Taschenbuch (S. Fischer Verlage) – yes, there was no paperback before.

It can be read free of charge in Project Gutenberg too and in the German Projekt Gutenberg, which is apparently being restructured.

Is it normal for books to be so restrictedly available while in copyright?